The glamorous* things keeping me sane now that home is work and work is home

Two sprays of Byredo cedar scent which takes me on a dreamy night out with my fiancee, even though I’ve only been to a bar once in five months. With each push of the metal cap I imagine a 20p piece jangling into a piggy bank, the price of each expensive squirt.

The smell of suncream applied in the morning, even when it’s cloudy outside. It never fails in fooling my brain that I’m at the beach. My only worry is that I might overpower the sun and sand association and permanently replace it with a memory of my bathroom, circa 2020 coronavirus pandemic.

Updating my savings spreadsheet. Opening all the tabs and totting up the changes in the stock market or the miserly interest is a very soothing ritual for me. Some nights I go to sleep thinking of my financial cushion. If you’re looking for mental peace, you don’t need meditation: you need a “fuck off” fund.

Doing the meter reading. You mean I have to go outside to do a task? Shall I get dressed up?

Rearranging my book shelves and rotating the books on my bedside table is so important. Want to escape the dishes? Better pick up some Cixin Liu and visit outer space. Frustrated with pandemic politics? Pick up Dark Money and get angry. I’ve been reading at a rate of knots ince I started putting the books that actually interest me within my eye line. Next up, Hilary Mantel’s Wolf Hall, which is soon to graduate from propping up the fan to my reading list.

As a fair skinned man, tanning is not top of the list of my abilities. Nevertheless, I’ve managed to develop a healthy cyclist’s tan with a very noticeable threshold on my legs from pasty to almost healthy looking. Maintaining it with regular rides is what counts for fun in 2020.

Apparently the key to keeping house plants alive is spending your entire life at home. All they need is water, sunlight and the occasional chat.

*actually utterly unglamorous, but you wouldn’t have clicked that.

Is Spotify’s ‘non-complete heard’ ruining music?

Music producer extraordinaire Mark Ronson neatly explains why you need more than data to make good music.

…all your songs have to be under three minutes and 15 seconds because if people don’t listen to them all the way to the end they go into this ratio of ‘non-complete heard’, which sends your Spotify rating down”

(The “non-complete heard” is presumably a percentage of how much people actually listen to your song.)

Some artists have cottoned on and changed their style of music to accommodate accordingly.

“…you have to make sure the kick drum and the guitar have the same loudness and presence all the way through the whole fucking song or you don’t stand a chance.”

The problems of “the algorithm” in music have been written about before but it’s telling that it’s bothering one of the world’s most influential and successful music producers. What’s true for Mark Ronson is also true for film directors, authors, journalists, politicians, etc etc.

When you’re trying to say anything creative today, you have to talk to the algorithm too. Whether you like it or not.